MB2004W8BNMSWDjЙЏ­ЁМ*№.mBIN‚аkаЯрЁБс>ўџ 02ўџџџ/џџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџьЅСs ПЁjbjbР Р ž,ЊkЊkЁџџџџџџ]ъъъъъъъBBBBBV$B *ŽŽŽŽŽŽŽŽО Р Р Р Р Р Р ,+ є~ь ъŽŽŽŽŽь цъъŽŽŽцццŽъŽъŽО ў" "ъъъъŽО цціr4 |ъъО z~6+МBB FА  Michael Bevilacqua Born 1966 in Carmel, California Lives and works in New York City EDUCATION 1988-1991 Long Beach State University, Long Beach CA 1985-1988 Santa Barbara City College, Santa Barbara, CA 1986 Cambridge College of Art and Technology, Cambridge, Great Britain SOLO EXHIBITIONS 2004 Beyond and Back, Deitch Projects, New York, NY Happy Nightmare Baby, Galleri Faurschou, Cophenhagen, Denmark Home Grown, Tomio Koyama Gallery, Tokyo, Japan 2001 High Speed Gardening, Fredericks Freiser Gallery, New York, NY 1999 Urban Hymns, Jessica Fredericks Gallery, New York City 1997 What Is It That Is The Worm Inside You, Jessica Fredericks Gallery, New York City SELECTED GROUP EXHIBITIONS 2004 Monument to Now, Deste Foundation, Athens, Greece We Love Painting, Museum of Contemporary Art, Tokyo, Japan Comic Release, Negotiating Identity for a New Generation, Contemporary Art Center, New Orleans, LA The Passions of the Good Citizen, Apex Art, New York, NY 2001 New Acquisitions from the Dakis Joannou Collection, Deste Foundation for Contemporary, Athens, Greece 2000 Drawings and Photographs, Matthew Marks Gallery, New York, NY Reconfiguration, Danese Gallery, New York 1999 Pleasure Dome, Jessica Fredericks Gallery, New York City 1998 Accelerator, Southampton City Art Gallery/ Arnolfini, Bristoll/ Oldham Art Gallery, Great Britain Painting, Now and Forever Part I, Matthew Marks Gallery at Pat Hearn Gallery, New York City Pop Surrealism, The Aldrich Museum of Contemporary Art, New York City (catalogue with illustrations) More Fake, More Real, Yet Even Closer, Castle Gallery, College of New Rochelle, New Rochelle, NY 21st Anniversary Benefit Art Auction, The New Museum of Contemporary Art, New York City 1997 New American Talent: The Thirteenth Exhibition, The University of North Texas Art Gallery, Denton TX (chosen by Robert Storr, traveling/ catalogue, with illustration) 1996 The Most Important Thing in the World: Oasis vs. Blur and the Artists Who Rock, The Alternative Arts Fair, New York City (curated by Bill Arning) 1995 Its Only Rock and Roll, The Phoenix Art Museum, Phoenix, AS (curated by David Rubin, catalogue, traveling) 1994 Page 5, 450 Broadway Gallery, New York City (curated by Elizabeth Olbert) 1993 Friendly (With Friends), Dooley Le Capellaine Gallery, New York City 1992 Industrial Heroes, Vernon Space, Los Angeles, CA (curated by Laura Howe) BIBLIOGRAPHY Smith, Roberta. “The Passions of the Good Citizen”. The New York Times. May 3, 2002 Editors: Charles Gute, Samuele Menin & Michele Robecchi.”Focus Painting Part One”.Flash Art. October 2002 2001 Gregos, Katerina. “New York Now”. Contemporary Visual Arts. Issue 34, p. 52-57 2000 Moreno, Gean. “High Noon in Desire Country”, Art Papers, May/June, pp. 30-35 (with illustration). Turner, Grady. “Beautiful Dreamers: Emerging American Painters, Circa 2000”, Flash Art, January- February, p.65 (with illustration) Kelly, Christina. “Pop Culture Fantastic Makes Trippy Art”, Jane, February, p.36 (with illustration) 1999 Zoo, Issue 3, Purple Press, London, Great Britain (cover and jacket illustration, and p.160-161) Caniglia, Julie. “Openings”, Artforum, May, pp. 168-169 (with illustration) Henry, Max. “Overture”, Flash Art, May/June, p.1107 (with illustration) Farquharson, Alex. “Accelerator”, frieze, June/July/August, p. 99-100 (with illustration) Newhall, Edith. “Talent”, New York Magazine, April 19, p. 91. (with illustration) Smith, Roberta. “Bevilacqua at Fredricks”, The New York Times, January 8, E41 Porte, Charlie. “Be Here Now”, Esquire GB, February, p. 117 (with illustration) Shave, Stuart. “Accelerator”, I-D Magazine, January/ February, p.63 (with illustration) Zimmer, William. “Seven Artists Integrate Color and Rudeness”, The New York Times, January 10. 1998 Connelly, Kevin. “Logocentric”, The New Yorker, December 28, 1998 and January 4, 1999, p.20 (with illustration) Long, Andrew. “Openings: Pop Goes the Easel”, Art & Antiques, December, p. 34 (with illustration) Smith, Roberta. “Painting, Now and Forever Part I”, The New York Times, July 24, p. E39 Ebony, David. “Michael Bevilacqua at Jessica Fredericks”, Art in America, June, p.108 (with illustration) Brown, Cecily. “Painting Epiphany”, Flash Art, May-June, pp.76-79 (with illustration) Ortoleva, Peppino. Colors of the Media, Colors of Fashion, The Style Engine: Spectacle, Identity, Design, and Business: How the Fashion Industry Uses Style to Create Wealth, edited by Giannino Malossi, The Monacelli Press; illustration pp.42-43 1997 Johnson, Ken. “Art Briefs”, The New York Times, September 19, p. E38 Ebony, David. “David Ebony’s New York Top Ten”, ArtNet, September (with illustrations) Rimanelli, David. “Art”, The New Yorker, September 22, p.39. Griffin, Time, “Michael Bevilacqua: What Is It That is the Worm Inside You?” Time Out, September 11-18, p.50 (with illustration) 1994 McConaughty, Claire. “Art For the Masses”, Pretty Decorating, September. 1993 Wildman, David. “A Kiss is Still a Kiss”, Boston Sunday Globe, October 3. Fox, Marisa. “Rock Kulture: Low-brow, High-Art”, Option, Nov/Dec., No. 53 Mack, Bob. “Kiss Alive, IV: The Gene Simmons/ Joseph Beuys Connection (Keep it Simple Stupid)”, Grand Royal, Winter, p. 62-63 \^h!29Hh}ІБм№"+_…ДЯжхC|ІШхQj’ЁТЯ e † У б * P  ‘ ы  ˜ ч 0 G Ё Ї ё < N ‡ ” Ш л :Cy’етZcЭбћўyРЩduЧй Xdљіёёёыёыёыёыёыёыёёыёыёыёыёыёыёыёыёыёыёыёыёхёыёыёыёыёыёыёёпёпёпёпёпёпёпёпёпёпёпёпёпёп >*OJQJ H*OJQJ 6OJQJOJQJCJ CJ(OJQJX;\]^hžз !2hІе§§§§§§§§§їѕяяэяяуййзеаЫ & F & F „„јј Цњ „p„ї Цњ Цњ„„ $:;\]^hžз !2hІеYВГДЯCІпJМћc С ( ‹ х ’ * › ы 6 … † ‡ ” ш RІќќќќќќќќќњњњњєёюшхтпмйгаЪФСОЛИЕЏЌЄЁ›˜’ ѓџџџ  џџџ qџџџЌџџџ  хџџџ Њ§џџnўџџoўџџШўџџџџџLџџџ {џџџ  Йџџџ яџџџ =џџџ>џџџ?џџџ‡џџџРџџџіџџџ нџџџоџџџпџџџ Эџџџ9еYВГДЯCІпJМћc С ( ‹ х ’ * › ы §їээус§мигЭууээээээээээ„p„ї & F„p & F „„јј Цњ „p„ї Цњ Цњы 6 … † ‡ ” ш RІ ‘і\Ј№Jœъ:’ёfЩ"ѕѕыщфплееллеллллллллееее„p„ї„p & F Цњ „„јј Цњ „p„ї ЦњІ ‘і\Ј№Jœъ:’ёfЩ"фк$|К;‰и" Ёdбу$•Ѓў]kВЛј‘ћ U[–Єk|ИЫ ‚ Ёћѕћѕћѕћѕћѕћѕћѕћѕћѕћѕћѕћѕћѕћѕћѕћ >*OJQJOJQJ фк$|К;‰и" Ёљљљљљѕљљѕѕљ„p„p„ї €Аа/ Ар=!А8"А8#а$&%А|HHи(џсџтљFG(ќHHи(d'` [4@ёџ4NormalCJOJPJQJmH @@@ Heading 1$„„јј@& CJ8OJQJ88 Heading 2$@& CJ OJQJH@H Heading 3$„„јј@& Цњ CJOJQJ@@@ Heading 4$@& Цњ 5OJQJH@H Heading 5$„„јј@& Цњ 5OJQJ<A@ђџЁ<Default Paragraph FontЁ,",!џџ џџ џџСfЁgcdЁеы ЁІЁ0:~…†‘œВЗђќ§чьў ЃЉљ § џ    & 5 ? 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