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Francine Spiegel makes large portraits in acrylic of the monstrous feminine. Her soupy, sloppy women protrude from and are engulfed by pop slime piles. Rapper’s girlfriends, socialites, and pin-up girls are all thrown into the stew of mylar, goo, glitter, and chewing gum. Their glammy/gory juxtaposition, coupled with the analog and digital moments of her distortions, presents an interesting visual conundrum of seduction and repulsion to these primordial females.
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